I make things.
Richard Huges and Michael Rowe 27 January 2020 The book contextualizes patination in art and craft through historical times, and mentions some achievements in patination techniques in French, Japanese and Chinese crafts movements. Beyond this, it is a kind of recipe book, showing images of patinated plates and directing the user to the 'recipe' to… Continue reading Reading: The Colouring, Bronzing and Patination of Metals
14 December 2019 History, nature, nhm, existing documentation, synthetic growth, my direction - dendrites? internship bookmarks on crystal reading Crystal & gem / written by Dr R.F.Symes and Dr R.R.Harding. https://sciencing.com/create-synthetic-rubies-6788778.html http://www.madehow.com/Volume-4/Synthetic-Ruby.html https://www.gemsociety.org/article/understanding-gem-synthetics-treatments-imitations-part-4-synthetic-gemstone-guide/ Crystal growers make use of certain fundamental aspects of natural laws; these laws govern the states of matter and the interactions of… Continue reading Crystals and Crystallization Reading
02 December 2019 Essay Plan: Structure 3 (Key works merged with paradigms as debate paragraphs) Introduction: Olafur Eliasson, Interdisciplinary experiential designer/artistReason - material driven, nature inspired designMy experience – “In Real Life” at TATE Modern – overlap of nature, technology, human experienceMy current exploration of emotional design as opposed to functional design, overall interest in… Continue reading ADAS Essay Plan
21 November 2019 Dr. Neri Oxman is an Architect and professor at the MIT media lab, leading the Meditated Matter Research Group. Her approach toward design deals with alternative manufacturing using nature's way of growth, as opposed to assembly line production. Her work combines research, learning and application from the fields of art, science, engineering… Continue reading Dr. Neri Oxman: Bio Architecture
13 November 2019 I had been meaning to view this exhibition for a while now, and felt that week one of the Investigate project might be a good time, hopefully to inspire and direct me, early on in the project. I left the TATE with an exciting new discovery: a contemporary practitioner engaging with art,… Continue reading Olafur Eliasson in Real life at TATE Modern
Project 2: Navigators: A Dérive into Product Design The project encompassed an investigative exploration of London, and execution of a collaborative design response for a selected site and its stakeholders. Studying inspiring urban installations, especially Liesbet Bussche’s Jewels in the City[1] re-ignited my interest in public art. Moreover, observing artefacts and illustrations (Fig.1) at the… Continue reading Navigators Reflection
27 October 2019 https://www.instagram.com/p/BosAac6F4Rp/ StatementInvoke responsenature abstractionLost wax casting https://www.instagram.com/p/BwDmzPYg-e1/ Urban abstractionObjects of memory - visits to citiesMap as object of abstraction
21 October 2019 Wassilly Kandinsky's artwork played a major role in Wendy Ramshaw's aesthetic compositionsAbstract shapes, repetition and composition on a surface Taking my weaving as a fresh start, I revisited Wendy Ramshaw's subtle abstraction of contextual elements to inform the aesthetics of the handbag. Architectural Projects: The Pilgrim Doors, Southwark Cathedral Millenium Building, London… Continue reading Revisiting Wendy Ramshaw’s abstraction process
07 October 2019 Preparatory Research Notes: 1 Minute Critical Review of Wendy Ramshaw’s Neckpiece for ‘Portrait of a Woman’ Structure: Contextualize artefact-10sIntroduction, initial thoughts, background-10sPersonal thoughts why I chose it, like/dislike it-10sSecondary Research-15sTakeaway (Primary research)-15s Style: Vlog – my interaction with the piece, subsequent enquiry into jewellery design, artistic process Notes Context: Part of her… Continue reading Preparatory Research Notes: 1 min critical review
30 September 2019 Documenting materials at the V&A introduced me to a number of unconventional uses of materials- within and outside of the respective ‘material galleries’. The use of a range of materials like plastics (etched, 3d printed), fibres (japanese rice paper) and ceramics (Wendy Ramshaw x Wedgewood) in jewellery were of particular interest to… Continue reading Materials schedule: V&A
design factory 